Constance Caraway P.I. ~ Episode 173

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Constance Caraway P.I. ~ Episode 173

…And what on Earth is R. Worth Moore doing, leapfrogging the Mason-Dixon Line by hundreds of miles…

Mason-Dixon

While Constance goes out to Midway to tend to her interests, R. Worth Moore is busy doing all the legal grunt work R Worth Moore-001required to clean up after Fanny’s hospital mystery accident. When you are an out-of-state driver, things can get complicated; when you are an out-of-state lawyer, well you better show intent to get licensed to practice in Illinois. He gladly takes the time to do so, seeing that these city folk actually have the means to pay usual and ordinary officially authorized fees (chickens – pies). So, unlike Dr. A.O. Campbell, he can charge good cash money for his services.

There seems to be a trend developing here about. Neither Constance nor Fanny is in a hurry to scurry out of town. Just what was keeping their headquarters down in toddling Tallahassee? Is it the comfort of the hometown atmosphere, where everybody knows your name? And what stands in the way of CCPI from relocating to this happening Chi-town? Their advertising budget would go from $0 to $omething more and trading physical space may be a hassle, the buying and selling of real estate.

But as they reach their prime investigative years, how can they ignore the allure of the big city?

And what on Earth is R. Worth Moore doing, licensing himself in a state that is the polar opposite of Florida, leapfrogging the Mason-Dixon Line by hundreds of miles? Can it be that he has always had designs on moving out and up, or has Fanny Renwick laid down a scent that he cannot resist?

But with big city excitement, you also get big city crime, as he would discover while deciding to take an early spring stroll from his South Loop hotel down to 6137 Kimbark. He had not realized that Chicago neighborhoods can change for the worse from one north/south block to the next…….


Constance Caraway P.I.

Forever Mastadon


page 148

Christopher Robin – (In Theaters Now) Do Not Pooh-Pooh This

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The Real Story

of

Christopher Robin

Decades before we had child stars on TV, a little boy named Christopher Robin Milne was thrust into the spotlight and became the most famous child of his lifetime. Even to this day, a version of him is still portrayed in the Winnie the Pooh cartoon, and movies are still being made about his life, including Goodbye Christopher Robin in 2017, and the upcoming 2018 film starring Ewan McGregor called Christopher Robin.

But just how accurate are these films, and are they anything like the true life of Christopher Robin? While the well-loved origin story of Winnie the Pooh begins as a journey into the innocence of childhood, the true story becomes quite dark, and everyone involved in the creation of the books eventually regretted it.

Alan Alexander Milne was Christopher Robin’s father, and the creator of Winnie the Pooh. Long before he wrote children’s stories, Milne was a comedy writer and editor at Punch magazine, as well as an acclaimed playwright. After serving in World War I, he found it difficult to continue writing comedy, and wanted to talk about the politics of war instead.

Milne lived with his wife, Daphne, and his son Christopher in London, but he decided that they needed a place to get away from the big city, so he purchase a summer home near Ashdown Forest in Sussex, which is also known as the Five Hundred Acre Wood. This, of course, served as inspiration for Pooh’s “Hundred Acre Wood.”

While he was taking time to write in the country, Milne came to the conclusion that after years of tragedy, people were ready to move on, and they were not ready to read about his thoughts on war. They desperately wanted to read happy stories, and comedy. He drew inspiration from his own source of happiness, which was his 6-year-old son, Christopher Robin.

The boy loved playing in the woods with his stuffed animal teddy bear, which he received as a baby. His mother named the bear “Edward,” but he decided to change its name to Winnie, after seeing a Canadian bear at the London zoo called Winnipeg. Over the years, Daphne continued to buy her son more stuffed animals from Harrods department store, including a donkey, kangaroo, tiger, and tiny piglet. As an only child, Christopher Robin often played by himself and with his nanny, and his mother helped to encourage him to play pretend with his collection of animal friends.

One day, Milne was inspired to write down a poem about Christopher Robin saying his prayers before going to bed. He titled it “Vespers,” and gave it to his wife as a gift. It was later published in Vanity Fair magazine. The public loved reading the sweet poem about the little boy, and they wanted more. Once word got out that this little character was actually the author’s son, suddenly every newspaper and radio show wanted an interview with Christopher Robin.

After working in the magazine industry for years, Milne knew that they needed to take advantage of this hype and sell more stories. He asked his friend and co-worker, E.H. Shephard, to draw the illustrations. So he set out working on writing about Christopher Robin. The stories were loosely based on his son’s imaginary adventures. He published a collection of poems called Now We Are Six, and he eventually switch from poetry to children’s fiction about Winnie the Pooh.

The public absolutely loved Christopher Robin. He received fan letters on a daily basis.. He was taken to public events, narrated stories, and performed in a play about Winnie the Pooh. Like most child stars, he actually loved the fame and attention he was getting. It made him feel special to know that everyone wanted to be his friend. Since he was enjoying it so much, his parents continued to push him into the spotlight, and enjoyed the benefits of being rich and famous.

Even if his parents were blinded by fame, his aunt and uncle did not approve, and they spoke up about how he was being robbed of a normal childhood. Once Milne realized this as well, he chose to stop publishing Winnie the Pooh stories. However, even though he stopped making new books, there was still a demand for reprints, and the hype never died down. Even when he tried to go back to writing for adults, critics would just compare Milne’s work to the children’s stories, claiming that his new characters in a play were just “Christopher Robin grown up.”

Milne wasn’t the only one whose work suffered after Pooh. The illustrator, E.H. Shepherd, was the political cartoonist for Punch Magazine. He saw his work with Milne as a side-gig, and a favor for a friend. After the books became so popular, it overshadowed the work he was doing with political cartoons. He was criticized for copying the styles of other illustrators, and the jokes were never good enough to stand the test of time. While Winnie the Pooh was arguably his best work, he resented that it was his legacy. Whenever anyone mentioned the books to him, he called Pooh “that silly old bear.”

In 1930, when Christopher Robin was 10-years-old, his parents decided that it was time to remove their son out of the public eye and try to give him an education. He was sent to boarding school, and his magical childhood came crashing down when all of the boys started to bully and tease him about Winnie the Pooh. Over time, he grew to hate the stories, and resented his father for exposing his real name and likeness all over the world.

He went to college at Cambridge, and he joined the army at the beginning of World War II. When he was discharged from the military, he started applying to jobs, but every single employer would recognize his name, and asked about Winnie the Pooh. Instead of hiring him based on his resume, everyone already felt that they knew him and judged him based on a fictional character. This made Christopher very angry, because he felt as though his father had robbed him of ever being known for his own accomplishments. Technically, the books made the family so rich Christopher Robin didn’t really have to work to earn a living, but he resented the legacy of Winnie the Pooh so much he refused to take any of the money that the books generated, and he wanted to work and support himself like a normal person.

When he was 27-years-old, Christopher Robin met his first cousin from his mother’s side, Lesley de Selincourt. They had never grown up together as children, because his mother, Daphne, was estranged from her family. They fell in love, and got married. We all know in modern times that that’s not a very good idea to marry your first cousin, and his mother strongly disapproved of their relationship. His father, on the other hand, just wanted him to be happy, and gave them his blessing.

After marrying Lesley, they opened up a bookstore together, and started a family. Unfortunately, their close familial DNA came back to bite them when Christopher and Lesley’s daughter Clare was born severely handicapped with cerebral palsy and kyphosis. She needed nurses to be with her 24 hours a day. This was the first time that Christopher reluctantly began accepting some money from the Pooh fortune, but he only took enough to give his daughter the best medical treatments possible. After his father died, Christopher Robin stopped visiting his mother, because their relationship was beyond repair. They never saw one another again. Even on her deathbed, she said that she did not want to see him.

Milne passed away in 1952, and Disney first bought the rights to use the Winnie the Pooh characters in the 1960s. They paid the Milne estate royalties twice each year. In 2001, they decided to make it official, and purchased the characters for a lump sum of $350 million. Since Christopher Robin refused to take any of the money for himself, all of it went to the Royal Literary Society, and The Garrick Club in London. Clare was given $44 million, which was used for her care in a treatment facility. While this sounds like a massive amount of money, Disney has made a huge return on investment. They make $2 billion every single year from Winnie the Pooh.

By the time he was in his 60s, Christopher Robin said that he could finally look at the Winnie the Pooh books without cringing. He began to make public appearances again, and donated his stuffed animals to the New York City Library, which is where they remain to this day. Christopher passed away in 1996.

There is a plaque in A.A. Milne’s honor in the Five Hundred Acre Wood, and children still travel there to see where the real Winnie the Pooh and Christopher Robin once played. While Winnie the Pooh may have caused some pain to the people who created him, the stories that were left behind have made children all over the world happy, and will continue to do so for generations to come.


Christopher Robin –

Do Not Pooh-Pooh This

Constance Caraway P.I. ~ Episode 62

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Constance Caraway P.I. ~ Episode 62

Chapter Six

 THE ELEPHANT IN THE ROOM

Constance Caraway and Fanny Renwick have been at it for 10 days without a break, well, Eddie's Cousins-001except for a hamburger break, but that did not go so well. And those long car rides, Argonne, Elgin, forth and back, an assault on their brains by way of tales. Eddie’s endless experiences make catnapping impossible and then there are his cousins…

While Martin carefully sorts through Willard Libby’s voluminous paper trail, in an attempt not to let one stone unturned, “which is the Hemingway work that shelters the C-14 theorem?” Libby himself is safely tucked away from the wicked, elusive FM and some days away from blowing that looney-bin.

As 1951 replaces 1950, Connie and Fanny treat themselves to several days at the Palmer House Hotel.

Having the luxury of having their own personal driver certainly makes this off-the-books escapade easier, without having to fight tooth and nail among the morass of people competing for the same rare taxi cab. To his credit, Eddie knows Chicago’s Loop better than any other Checker jockey, foreign or domestic; Eddie speaks English, well his version of it and is a good driver, ‘I ain’t run over no old lady for years,’ he will brag.

The Loop: defined by streets Wells, Wabash, Lake and VanBuren, is pretty much the cultural centre of the Midwestern America. CCPI’s two girl team will endeavor to take in as much of the potentially lethal female combination of shopping and chocolate.

Frango Mints, chocolate truffles sold at Marshall Fields Department Stores, are an early discovery on a leisurely stroll down State Street, but this prominent purveyor of plentiful profligacy actually serves as a double dip; confectionery treats and shoes for feets – sweets for the tummy plus new outfits from head to toe for a night out.


Constance Caraway P.I.

Forever Mastadon


page 59

 

Constance Caraway P.I. ~ Episode 53

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Constance Caraway P.I. ~ Episode 53

…Stream of Consciousness from a misplaced scientist…

“Rise and Shine Mr. Doe, were going to see Dr. Steinberg,” the attending nurse urges.

‘My name is Willard Libby, Nurse Koch and why are you wheeling me out of my room at this hour, not that any particular hour is different? Are they going to hook me up to some new machine this time, as if electroconvulsive therapy did me any good? All that accomplished was to separate my brain from the rest of my body; now I can’t move my hands or feet. We are headed to the kitchen, but what good is that, the intravenous food in this place is poor. I must be a real burden to them, sitting lifeless in this chair on wheels all day and night. The last thing I remember is working at my office at Argonne, it was late, but I had to finish my paper for the conference. The conference, what did they do without me? I had something important to share with them. I can’t remember exactly what it was and I don’t know who was going to be there, but I know it was important. Why is it that my eyes are open but they don’t blink or move? That Dr. Steinberg doesn’t know what to make of me, I think he isn’t just one of those mad scientists whose only machines are torturous and the only drugs they give out are hallucinogenic. He acts like he’s in charge; everyone calls him Sir or Superintendent. It sure is cold back here, my loony roommate Mr. Skittles doesn’t like his breakfast cold you know. Steak and eggs; now that is what I could go for. And how did those guys get past the guard at the front gate, let alone get in the most secure building on the grounds. I’ve always wondered why they didn’t electrify that fence, must have cut through it or something. It looks like we are expecting a delivery, it says service entrance.’

“How was your drive out here from the city,” the Doctor inquires of the bright eyed and bushy tailed trio there to meet him.

“We missed a few turns, but at least the roads weren’t icy… Constance Caraway here,” CC takes a hand from out of the warmth of her down coat to greet the boss of this place.

“My pleasure, Miss Caraway; the telephone does not do you justice.”


Constance Caraway P.I.

Cartoon by John Atkinson.

Forever Mastadon


page 51

Christopher Robin – Do Not Pooh-Pooh This

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The Real Story

of

Christopher Robin

Decades before we had child stars on TV, a little boy named Christopher Robin Milne was thrust into the spotlight and became the most famous child of his lifetime. Even to this day, a version of him is still portrayed in the Winnie the Pooh cartoon, and movies are still being made about his life, including Goodbye Christopher Robin in 2017, and the upcoming 2018 film starring Ewan McGregor called Christopher Robin.

But just how accurate are these films, and are they anything like the true life of Christopher Robin? While the well-loved origin story of Winnie the Pooh begins as a journey into the innocence of childhood, the true story becomes quite dark, and everyone involved in the creation of the books eventually regretted it.

Alan Alexander Milne was Christopher Robin’s father, and the creator of Winnie the Pooh. Long before he wrote children’s stories, Milne was a comedy writer and editor at Punch magazine, as well as an acclaimed playwright. After serving in World War I, he found it difficult to continue writing comedy, and wanted to talk about the politics of war instead.

Milne lived with his wife, Daphne, and his son Christopher in London, but he decided that they needed a place to get away from the big city, so he purchase a summer home near Ashdown Forest in Sussex, which is also known as the Five Hundred Acre Wood. This, of course, served as inspiration for Pooh’s “Hundred Acre Wood.”

While he was taking time to write in the country, Milne came to the conclusion that after years of tragedy, people were ready to move on, and they were not ready to read about his thoughts on war. They desperately wanted to read happy stories, and comedy. He drew inspiration from his own source of happiness, which was his 6-year-old son, Christopher Robin.

The boy loved playing in the woods with his stuffed animal teddy bear, which he received as a baby. His mother named the bear “Edward,” but he decided to change its name to Winnie, after seeing a Canadian bear at the London zoo called Winnipeg. Over the years, Daphne continued to buy her son more stuffed animals from Harrods department store, including a donkey, kangaroo, tiger, and tiny piglet. As an only child, Christopher Robin often played by himself and with his nanny, and his mother helped to encourage him to play pretend with his collection of animal friends.

One day, Milne was inspired to write down a poem about Christopher Robin saying his prayers before going to bed. He titled it “Vespers,” and gave it to his wife as a gift. It was later published in Vanity Fair magazine. The public loved reading the sweet poem about the little boy, and they wanted more. Once word got out that this little character was actually the author’s son, suddenly every newspaper and radio show wanted an interview with Christopher Robin.

After working in the magazine industry for years, Milne knew that they needed to take advantage of this hype and sell more stories. He asked his friend and co-worker, E.H. Shephard, to draw the illustrations. So he set out working on writing about Christopher Robin. The stories were loosely based on his son’s imaginary adventures. He published a collection of poems called Now We Are Six, and he eventually switch from poetry to children’s fiction about Winnie the Pooh.

The public absolutely loved Christopher Robin. He received fan letters on a daily basis.. He was taken to public events, narrated stories, and performed in a play about Winnie the Pooh. Like most child stars, he actually loved the fame and attention he was getting. It made him feel special to know that everyone wanted to be his friend. Since he was enjoying it so much, his parents continued to push him into the spotlight, and enjoyed the benefits of being rich and famous.

Even if his parents were blinded by fame, his aunt and uncle did not approve, and they spoke up about how he was being robbed of a normal childhood. Once Milne realized this as well, he chose to stop publishing Winnie the Pooh stories. However, even though he stopped making new books, there was still a demand for reprints, and the hype never died down. Even when he tried to go back to writing for adults, critics would just compare Milne’s work to the children’s stories, claiming that his new characters in a play were just “Christopher Robin grown up.”

Milne wasn’t the only one whose work suffered after Pooh. The illustrator, E.H. Shepherd, was the political cartoonist for Punch Magazine. He saw his work with Milne as a side-gig, and a favor for a friend. After the books became so popular, it overshadowed the work he was doing with political cartoons. He was criticized for copying the styles of other illustrators, and the jokes were never good enough to stand the test of time. While Winnie the Pooh was arguably his best work, he resented that it was his legacy. Whenever anyone mentioned the books to him, he called Pooh “that silly old bear.”

In 1930, when Christopher Robin was 10-years-old, his parents decided that it was time to remove their son out of the public eye and try to give him an education. He was sent to boarding school, and his magical childhood came crashing down when all of the boys started to bully and tease him about Winnie the Pooh. Over time, he grew to hate the stories, and resented his father for exposing his real name and likeness all over the world.

He went to college at Cambridge, and he joined the army at the beginning of World War II. When he was discharged from the military, he started applying to jobs, but every single employer would recognize his name, and asked about Winnie the Pooh. Instead of hiring him based on his resume, everyone already felt that they knew him and judged him based on a fictional character. This made Christopher very angry, because he felt as though his father had robbed him of ever being known for his own accomplishments. Technically, the books made the family so rich Christopher Robin didn’t really have to work to earn a living, but he resented the legacy of Winnie the Pooh so much he refused to take any of the money that the books generated, and he wanted to work and support himself like a normal person.

When he was 27-years-old, Christopher Robin met his first cousin from his mother’s side, Lesley de Selincourt. They had never grown up together as children, because his mother, Daphne, was estranged from her family. They fell in love, and got married. We all know in modern times that that’s not a very good idea to marry your first cousin, and his mother strongly disapproved of their relationship. His father, on the other hand, just wanted him to be happy, and gave them his blessing.

After marrying Lesley, they opened up a bookstore together, and started a family. Unfortunately, their close familial DNA came back to bite them when Christopher and Lesley’s daughter Clare was born severely handicapped with cerebral palsy and kyphosis. She needed nurses to be with her 24 hours a day. This was the first time that Christopher reluctantly began accepting some money from the Pooh fortune, but he only took enough to give his daughter the best medical treatments possible. After his father died, Christopher Robin stopped visiting his mother, because their relationship was beyond repair. They never saw one another again. Even on her deathbed, she said that she did not want to see him.

Milne passed away in 1952, and Disney first bought the rights to use the Winnie the Pooh characters in the 1960s. They paid the Milne estate royalties twice each year. In 2001, they decided to make it official, and purchased the characters for a lump sum of $350 million. Since Christopher Robin refused to take any of the money for himself, all of it went to the Royal Literary Society, and The Garrick Club in London. Clare was given $44 million, which was used for her care in a treatment facility. While this sounds like a massive amount of money, Disney has made a huge return on investment. They make $2 billion every single year from Winnie the Pooh.

By the time he was in his 60s, Christopher Robin said that he could finally look at the Winnie the Pooh books without cringing. He began to make public appearances again, and donated his stuffed animals to the New York City Library, which is where they remain to this day. Christopher passed away in 1996.

There is a plaque in A.A. Milne’s honor in the Five Hundred Acre Wood, and children still travel there to see where the real Winnie the Pooh and Christopher Robin once played. While Winnie the Pooh may have caused some pain to the people who created him, the stories that were left behind have made children all over the world happy, and will continue to do so for generations to come.


Christopher Robin –

Do Not Pooh-Pooh This

Dark Disney – WIF Edu-tainment

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Dark Moments

from

Disney’s Past

Disney is known for being one of the most family-friendly companies you could imagine, and spends an incredible amount of money to maintain that illusion and appear as one of the most squeaky clean companies in the world. Disney is the company that bought Star Wars, and immediately banned the appearance of smoking in films – villain or otherwise – because of the children.

However, while today Disney tries their hardest to be the most non-offensive thing possible, this wasn’t always the case. In the past, Disney hasn’t always been entirely family-friendly, and their past is checkered with racism and other abuses. Disney himself may not have necessarily been a racist or a misogynist, but he was certainly not progressive for his time, and his attitudes were reflected in the culture of his company and the products they produced.

10. Walt Disney’s Song of the South Was Not Just a Product of It’s Time

If you haven’t heard of it before, Song of the South is a Disney movie made back in the 1940s that has caused such controversy that Disney has kept it in the vault for decades now and has no intention of ever allowing it to see the light of day again. The movie has caused trouble since it was first released because of its depiction of African American characters. The movie is set on a plantation in the south, and it seems that it is post Civil War, but it’s very ambiguous. There are still a lot of black people working on the plantation, and while they are not called slaves, they have very subservient attitudes and speak in a way that seems designed to make them look less intelligent – not only that, but they seem very happy about their lot, which is working for white people.

Disney only really likes to release movies from the vault when they can celebrate it, and show off an image of squeaky cleanness. Song of the South not only doesn’t allow that, but it creates unnecessary controversy and potentially lost customers and image. Of course, there will always be people who defend the actions of Walt Disney to make this movie back in the day, and say that he was just a product of his time. However, those who knew Walt at the time understood that he knew full well all the possible controversies he could create, but he wanted to go ahead and make it anyway. Some accounts even say Walt actually downplayed the racial stereotypes some from what he originally planned because he didn’t think it would go over well. This doesn’t necessarily paint him as racist, but it does show he cared more about telling a story than any kind of racial sensitivity.

9. Disney Underpaid His Employees, Causing Them to Go On Strike and Changing Animation Forever

In the early days of the Disney company, things were not really very well organized, and Walt was just trying to get as many good ideas as possible, and move things forward at a brisk pace. He had hired on a lot of animators to do creative work, and the company expanded faster than he really knew how to deal with. This led to a very serious issue where Walt’s disorganization and greed really got him in trouble. He underpaid most of his animators to begin with, and then would give raises in very arbitrary ways. People would randomly be given more pay with little reason or explanation, and no one really knew what you exactly had to do to earn more. After dealing with this for a bit, the animators started to get tired of having their creative talents abused, and went on strike.

Walt was not really interested in negotiating with them, and instead tried to beat it out and fight them on it. The animators formed a guild to protect themselves, and after several weeks of intense picketing and the like, Walt was forced by a lot of outside pressure to give in and pay people fairly. However, laws for dealing with employer retaliation were not very good back then, and Walt held a very serious grudge. He was pretty awful to be around if you had been part of the strike, and before long he was firing people when possible, and many just departed on their own. This actually led many to create their own studios, and many other talented artists to go into comics. The Looney Tunes and many comics and other animation were designed by animators who left Disney, and likely would have never had their designs properly see the light of day under Walt’s leadership. In the end, his hardline stance against fair pay actually indirectly helped change the world of animation for the better.

8. The Yippie Invasion of Disneyland in the 1970s Caused the Disney Company to Overreact

In August of 1970, a group of radical hippies known as yippies had a plan to invade Disneyland on the 6th of the month. They passed out hundreds of thousands of flyers and the rumors started flying around that 200,000 of the counterculture youth intended to invade the park. Disneyland reacted to this by asking the local police to show up, and they arrived that day in full riot gear expecting a huge crowd. Instead, only a couple hundred of the yippies actually showed up, but they still caused quite a bit of a problem.

At first they were just doing silly things like smoking marijuana while climbing on things, but they started to get restless and get into fights with some of the park guests. As the day wore on, they “took over” Tom Sawyer Island, by standing on Castle Rock and doing drugs. Near the end of the day they disrupted the Disney marching band, and raised a gigantic flag with a pot leaf on it next to the American flag. This caused things to spiral quickly out of control between the yippies and regular guests, causing Disney management to be so upset with the situation that they shut the park down early for the first in their history. As an overreaction to the entire situation, Disney instated a dress code for men that they kept for years – if you had long hair or otherwise looked like a hippie, you would be barred from entering the theme park. Disney may be the first major company to ever actually ban all hippies from their property.

7. The Original Pirates of the Caribbean Ride Had Real Human Skeletons

Pirates of the Caribbean is a successful movie franchise that has now long overstayed its welcome; however, it was all based on the popular ride at Disneyland that was originally designed back in the 1960s. Walt Disney was very pleased with the ride itself and loved what they had done with it. However, some of the designers were disappointed that despite how realistic the rest of the ride looked, the skeletons just didn’t look real enough to them. In order to solve this problem, they contacted the UCLA medical center and managed to get their hands on some real human skeletonsto decorate the ride.

As time has passed, the ride has been regularly renovated and Disney claims all human remains have been removed and given proper burials in their country of origin. The technology for fake skeletons is good enough now that they can make them as realistic as the real thing, so it really isn’t necessary or in good taste to have real human remains lying around anymore. However, some people are not convinced. People have gone through the ride looking at the skeletons in an attempt to armchair sleuth which ones might still be real, and some employees claim they are certain some of them are. If there are any real bones still lying around the ride, we may never really know the truth for sure.

6. In the Early Days, Walt Disney Didn’t Allow Women to Do Full Animating Work for the Company

A letter that has been passed around the internet shows a rejection in Snow White stationary, answering a young woman who had applied to Disney in the hopes of working in their creative department. This letter has been verified as the real deal, and shows just how behind the times Disney was, even for the era in which it was written. The form letter states that women are not allowed to do any of the creative work at Disney, and that all of that is done by “young men.” The letter further goes on to explain that women can work at Disney, but only doing inking and tracing.

As if to add insult to injury, the form letter explains that a young woman who wishes to apply for inking or tracing should bring samples of their work to show, but actually discourages her from applying, stating that so many women apply for the inking and tracing positions that she likely would not be selected anyway. While some would say this was only a product of the times, it’s really hard to defend this at any time. Even back then, while women may not have gotten the fair pay or respect they deserved, most people were well aware that women could do creative things just as well as men could.

5. Disney Would Like You to Forget About the Wizard of Bras

Disney loves being known for their squeaky clean image, so they really don’t want you to know about some of the things they tried in Disneyland in their early days. They would especially love it if you didn’t remember that they once had a shop in Disneyland that sold bras and corsets. Not only that, but it had 3D exhibits that showed women off in a way that was scantily clad for the time, and gave people a general history on undergarments. It also had a section of the shop called a corseteria where you bought all of the undergarments.

And in the middle of all this chaos was an animatronic sorcerer dubbed “the Wizard of Bras.” It should probably be no surprise that Disney did not keep this abomination around long and it was gone in about six months. However, it was not the only time Disney allowed an attempt at a sexy lingerie store on the Disneyland grounds. In the 1990s they allowed a store called “Jessica’s” to set up shop. This was a store dedicated to selling Jessica Rabbit-themed merchandise, especially underwear and night wear – it also folded after a short time, lasting just three years. Since then, Disneyland has not attempted any more sexy lingerie stores on the park grounds.

4. Disney Doesn’t Want You to Know How Long They’ve Been Covering Up the Alligator Problem

Last year there was a huge controversy after a 2-year-old boy died at Disney World following an alligator attack. Disney came under fire for not warning people properly of the alligators, and people cried out that Disney should have put up warning signs at the very least, since they had some idea that alligators could potentially make it to certain spots in the park. Disney caved and put up warning signs, and most people have forgotten about it. However, the truth is that Disney wouldn’t do the bare minimum to warn people because they didn’t want to break their illusion, when they know the problem is much worse than most people realize.

As of last year, Disney had removed 240 nuisance alligators – alligators four feet or longer with the potential to cause harm – from their Disney World resort properties. This is an average of 24 alligators per year, or two per month, and that’s just the ones they actually catch. Florida is basically a swamp and with so many waterways, it’s very easy for them to find their way into Disney World. If Disney were being responsible, they should have warned people much sooner of the dangers, and maybe even put up stronger fencing in certain areas. Unfortunately, their commitment to maintaining the sense of illusion for their customers sometimes overwhelms their common sense.

3. Walt Disney’s Involvement with the Motion Picture Alliance for the Preservation of American Ideals

In the late 1930s the fear of communism was starting to take hold in the average American, and the House Committee on Un-American Activities had been formed. This committee existed to check into the backgrounds of Americans suspected of having communist ties or sympathies, and has been denounced in history as a witch hunt that was often racist in nature when selecting what people to go after. It was in this political environment that in the mid 1940s, a bunch of famous movie stars and filmmakers, including Walt Disney, got together to make their own group called the Motion Picture Alliance For The Preservation Of American Ideals.

The group was basically the film guild version of the House Committee On Un-American Activities, and before long people from the film industry were, indeed, being inspected by the house committee. This led to a backlash where a counter group of others in the film industry created their own guild called the Council Of Hollywood Guilds And Unions to protect themselves against the attacks from the Motion Picture Alliance, often called the MPA for short.  The new guild accused the MPA of being racist and just looking to inflame tensions and cause trouble – an accusation that has stuck in most people’s minds to this day. It is hard to say whether Walt was really being racist here or if he was genuinely concerned about communism and overreacted, as many did at the time. However, he was deeply involved in the group, as he was their vice president when they formed.

2. Disneyland in Paris has had a Recent History of Mistreating and Underpaying Its Employees

Disneyland Paris is supposed to be the happiest place in Europe, as the Disney vision goes, and for many tourists it is indeed a very fun attraction. It’s known so well for fulfilling that promise to guests that it is the single most popular tourist attraction in Europe, despite all the rich history that is available to see on the continent. However, while it is great for the tourists, the employee experience is anything but, and over time that will degrade the guest experience as well. Back in 2010 the Independent did a piece on Disneyland Paris, and found some very alarming issues.

Two employees had recently committed suicide, and one of them killed himself in a rather disturbing way. He had been sick and missed work as a cook at Disney and was supposed to go back. Before killing himself, he scrawled on the wall in French “I don’t want to work for Mickey anymore.” The parent company, Euro Disney, has been criticized for huge staff and budget cuts, while continuing to take in an even bigger influx of guests. And to make matters worse, the staff members who are expected to do more with less every year have essentially no opportunities for advancement. Not only that, but most people are being paid only barely above minimum wage, and are expected to work six days a week and very long hours. For many who work for Disney, the fun is being part of the Disney family. However, for those working at Disneyland Paris, they are being treated as anything but.

1. Disney’s Fantasia has a Character Named Sunflower Who is a Breathtakingly Racist Stereotype

Most of you have probably heard of Fantasia, but many people are really only familiar with the segment where Mickey is the Sorcerer’s Apprentice, unless they are a big Disney buff. And even those who have watched Fantasia in full may have missed Disney’s most blatant racism if they watched a more recent revision. A lesser known segment of Fantasia is called “Pastoral Symphony” and was a brief story where mythological creatures and others are preparing for a festival involving some of the Greek gods. The story starts out showing some female centaurs being beautified by cherubs to prepare them for the arrival of the male centaurs and it just goes downhill from there.

There is one female centaur who is not being prepared by the cherubs, and is instead acting like a servant to the other female centaurs – brushing their tails, etc. This female centaur is black, and is half donkey instead of half horse. She has incredibly exaggerated features, and dreadlocks that stick out at odd angles, as if the animators were doing their best to mock people of African descent. To make matters worse, this character is called Sunflower – a flower whose nicknames include “n**gerhead.” While sunflowers do have a lot of other nicknames, it seems a little too strange to just be a coincidence. Also, in a later scene, the Greek god of wine, Bacchus, shows up flanked by two black centaur servants, who are half zebra and half Amazon looking – their purpose is to fan him and keep him cool. In revisions of Fantasia, these racist elements have been removed, but you can see a brief clip of Sunflower brushing a pretty, white female centaur at the top of the entry.


Dark Disney –

WIF Edu-tainment

The NULL Solution = Episode 190

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The NULL Solution = Episode 190

…Leave it to Župzïð to make the most of a bad situation….

Bad situation! by ptmutant on deviant art.com

Once the human heart is set on something, especially a McKinney beat-repeater, there is nothing you can do deter it. Returning to Earth has been irretrievably etched in the four 100% human souls, the 50% soul of a boy born to both worlds and the sole 100% Eridanian soul being used as a pawn in a selfish game.

Cartoon by Mickey Bach

The best of intentions oftentimes go astray. So it is with the alternate dimension that Lorgan created and Collapsar Axis was banished to. Merely being moved to a new space with likeminded miscreants was not such a good idea and had unintended consequences. The self-contained Ÿ€Ð outpost has gone on to dominate that chunk of space and time, dominating being a bad thing.

Leave it to Župzïð to make the most of a bad situation. You could call him the worst of the worse. What was meant to be a purgatorial realm for those not buying into the Harmonia formulae has turned into a romping free-for-all, one without proper supervision. Yes there is nowhere to go, but it is getting there fast.

Lorgan’s hand is being truly forced for the very first time. It is one thing to encourage cooperation among the reasonable, but quite a can of worms is now unleashed. Caged marauders are still marauders. Apparently hell cannot extend deep enough.

“There is a portal on the perimeter Supreme Leader,” alerts a Collapsar commander. “I can see the beacon from here.” A sight for sore eyes?

“Where does it lead?” wonders Župzïð. “Do not waste your time finding out. I tire of this place.”

“Did you answer the riddle Supreme Leader?”

I am the how & why that blocks your way

Prove your worthiness and the light will show the way back


The NULL Solution =

Episode 190


page 184 (end Ch. 20)