Alpha Omega M.D. – Episode #227
…April 1920 has begun with casting for the minor parts, a charming custom that helps add local flavor to the production…
True to his word, especially now that the Atlantic Ocean is free of enemy submarines, Sir James Matthew Barrie is bringing his play, A Kiss For Cinderella, to the United States; Tallahassee specifically. This is quite a coup for a Southern city with a population of less than 70,000. The news has spread quickly through the theater world, leaving New York’s Broadway wanting, immediately establishing Florida’s capitol a destination of some note.
The buzz about the April 10th 1920 premier is all around, well except for Martha Ferrell, whose buzz is mainly a bug up her behind, claiming still that it is Barrie’s doing that her husband was taken from her (even though he was a adulterating, lying, “will” changing man). Everybody else is very excited about this fairy tale translated for the stage, which will be the Auditorium on the Florida State University campus.
April has begun with casting for the minor parts, a charming custom that helps add local flavor to the production. There is plenty of talent in these parts, or at least people who think they have it. Auditions are well attended, with some being the last person you would think has any leaning for the stage. Some will need an extensive make-over, like Phoebe Love, who has actually won the part of the evil stepmother, displacing the actress who was traveling with the production and not at all pleased by the demotion. Talk about Jekyll and Hyde. It may be the only time you will witness Phoebe acting contemptibly mean.
Others are cast as extras, and a chosen few are understudies, ready to step in if a star falls ill or loses his or her voice. Agnes is one, learning the role of Euphronia, not the role she coveted, but at least she would be the prettier of the evil stepsisters. ‘Drat! Wouldn’t you know that Abbey would get the part of Cinderella?’ Herb Love is the natural choice for the Baron, so that would mean if circumstances were right, it is he who would let Cinderella’s stepmother bully and belittle her, equally out of character.
James Barrie has chosen his son, Matthew for the part of the prince, not so much nepotism, as Matthew is an actor of good repute and he is lucky to have corralled him for this one month engagement.
King, queens, princes, step family and extras work long hours rehearsing stage blocking and speaking parts. Barrie is a stickler for perfection and even though he did not write Cinderella, C.S. Evans did, his adaptation is crisp and demands much of his actors.
And the costuming——whew——-Cinderella has more than a dozen changes herself, quite an arrangement of rags and riches. But for the sake of a happy ending, in this case many happy endings, it is well worth the effort.